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Japanese Pleasures || Fusion
|| Splendors of Imperial Japan
Splendors of Imperial Japan:
Meiji Masterpieces from the Khalili Collection
September 28, 2004 – February 28, 2005
The exhibition features eighty objects displaying the
exceptional artistry of the period in many media and materials, including:
lacquer, porcelain, and bronze; significant enamel works depicting the
four seasons, animals and plants; and life-size bronze figures of Japanese
demons and samurai. Splendors of Imperial Japan is one of several
exhibitions opening this fall that explore contemporary and historical
currents in Japanese art and culture. Professor Khalili is a scholar, collector, and benefactor of international standing. Since 1970 he has assembled, under the auspices of the Khalili Family Trust, a number of art collections in a broad range of fields. In addition to his comprehensive collections of the arts of the Islamic world and of Japanese art of the Meiji period (1868–1912), he has impressive holdings of Indian and Swedish textiles, and of Spanish damascened metalwork. Splendors of Imperial Japan provides an overview of Japanese art during the second half of the 19th century when more than 250 years of self-imposed isolation came to an end and Japan transformed itself virtually overnight into a modern, commercially developed society. Japanese culture turned toward the West, changing almost every aspect of its traditional society in order to become part of the modern Western world, and this shift is reflected dramatically in the art of the time. “Although the Meiji Period spans only forty-four years, it was during this period that Japanese craftsmanship reached a level of perfection never equaled before or since,” states Rebecca Bitterman, Senior Curator of the Marcel Lorber Department of Asian Art, and curator of the exhibition. “Even so, with the turn of the 20th century, such works of decorative art lost favor in the West due to the declining appreciation for the Victorian style and the rise of less decorated tastes, so that the exquisite fruits of Meiji era artistic production stand as testament to the creativity of this short-lived moment.” Using their original skills as makers of decorative sword-fittings, Meiji period craftsmen put their experience to new use, creating novel masterpieces using age-old techniques. In an attempt to take their crafts out of the realm of industrial arts, craftsmen made elaborately decorated metal works, adjusting them to European tastes of the period. In addition, enameled vases and porcelains on display incorporate designs and motifs inspired by Japanese and Chinese historical events, legends and myths, while others demonstrate the influence of Art Nouveau, which can be seen in the application of peacock feathers, waves, and floral designs. Alongside 19th century Westernized art, the exhibition also presents lacquer works of elegance, beauty, and simplicity, which were closer nonetheless to the historical Japanese aesthetic, thereby stimulating a fascinating creative contrast. Included are works by the lacquer master Zeshin and his followers, who depicted floral motifs in gold lacquer on boxes, writing tables, and desks. The exhibition is made possible by the Estate of the late Dorothea Gould, Zurich, and the donors to the Israel Museum's 2004 Exhibition Fund: Melva Bucksbaum and Raymond J. Learsy, Aspen, Colorado; Hanno D. Mott, New York; and The Nash Family Foundation, New York.
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Japanese Pleasures
|| Fusion || Splendors of
Imperial Japan
asianart.com || exhibitions