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Sylvat Aziz
Maqamaat: Carousel, 1999
Oil, pigment,
dye on cotton duct
Diptych 84" x 136"
These paintings refer to issues of space in an Islamic
context; political and domestic, public and private. As well, they examine
strategies of dominance and control of these spaces and interpret the
games of existence between the male and female domains where relative
strengths, though clearly ascribed, continually shift. Technically and
materially the paintings are within the Western European tradition but
the pictorial and ornamental references, particularly the symbolic imagery,
are often of Muslim Arabic classicism. The inclusion of original photographic
material results in a layered field of information meant to explore
what is, and isn't, without expressing a judgment.
The images are coupled and superimposed; compared with
the stuff of myth, religious allegory and folk story and meant to provoke
a flow of information driven by an eccentric time machine. This in turn
reflects a venerable culture's sense of ease regarding time; a culture
so often changed through political maneuvering, religious upheaval,
economic crises and military exigencies that the idea of a socio-cultural
continuum can be based only on accommodation, flexibility and, finally,
absorption. As on a carousel, outward perspectives change but are experienced
slower from the hub; the perception of these changes depend on the rider's
position.
Sylvat Aziz holds Masters degrees in literature and in art. Her
studies began in Lahore, Pakistan then on to Pratt Institute, New
York, and Concordia University, Montreal. She has exhibited sculpture
and painting at Venice; Istanbul; Bradford, England; New Delhi and
Lahore, as well as many major public and university galleries in
Canada. Her research is focused on problems of representation and
the politics of space in early Islamic art and architecture and
the influences, conflicts and compromises addressed therein. She
currently teaches at Queen's University, Department of Art, Kingston,
Ontario. |
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