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The Sacred and the Profane – Part Two: On the Representation of the Third to the Eighth rJe btsun dam pa Khutukhtus in Mongolian Buddhist Art

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Fig. 5:
The fourth rJe btsun dam pa Khutukhtu,
line drawing/ woodcut print,
Mongolia, beginning of 20th century (?),
Tibetan inscription: bzhi pa ‘jigs med rgya mtsho, “The fourth fearless ocean”.

(Exhibition, Natural History Museum, Ulaanbaatar, picture by Elisabeth Haderer)