by Kabir
Mansingh Heimsath
(click
on the small image for full screen image with captions.)
Lhasa
Nights 1 |
|
This
short series reflects my reaction to a standard photographic representation
of Tibet as something static and objectively distant. By focussing
on Lhasa I mean to emphasise the contemporary urban nature of
a city that is too-often associated with a mysterious past. As
with other cities, Lhasa provides constant and sometimes intimate
contact with strangers – people who we may or may not see
tomorrow – and these photos, all taken in public spaces
or accessible venues, deal with that specifically urban experience.
Whether tourists at the Potala (Lhasa Nights #10) or pilgrims
at the Jokhang (# 11), eating dinner (# 8) or visiting night clubs
(#5), life in Lhasa involves a series of interactions with people
whom we do not know, and who do not know each other. The anonymity
of urban interaction creates a dynamic that can be jarring for
tourists who expect a postcard easiness, but it is the way of
life for Tibetans in Lhasa.
Lhasa
Nights 2 |
Lhasa
Nights 3 |
Lhasa
Nights 4 |
Likewise,
the sequence of night images intends to subvert the simplicity
with which we judge a foreign place and explicitly uses darkness
as a metaphor for uncertainty.New cars (#3) or an applique hat
(#16) mark a visitor to the city almost as much as a fancy camera.
These lives converge on the Barkhor, but each embodies a history,
a culture, memories and experience that remain mutually unknown.
Other lives pass discreetly (#15), intersect coincidentally for
a time (# 4), separate into isolation (# 12), or perhaps even
build an ongoing connection (# 13); artificial light creates a
point of contact while the future recedes into darkness. Night
remains indicative of the ambiguous nature of interactions in
Lhasa today.
Lhasa
Nights 5 |
Lhasa
Nights 6 |
Lhasa
Nights 7 |
This
is a visual essay and I have not included titles or captions so
as not to “define” a specific image or attempt to
explain the situation. The pictures certainly reflect my own experience
of Lhasa, but I hope they will also serve to raise questions for
others.
Lhasa
Nights 8 |
Lhasa
Nights 9 |
Lhasa
Nights 10 |
Lhasa
Nights 11 |
Lhasa
Nights 12 |
Lhasa
Nights 13 |
Lhasa
Nights 14 |
Lhasa
Nights 15 |
Lhasa
Nights 16 |
Lhasa
Nights 17 |
text
& images © Kabir Mansingh Heimsath